Winonah Fall Winter 2016-2017

fifties silhouette mixed the appeal and convenience of today. This is the hallmark of Winonah for the autumn-winter collection 2016-2017 on which hangs the lightness of hummingbirds, decorative leitmotif of the collection.
The brand of Winonah de Jong, Dutch designer, It comes up with a precise aesthetic couture-à-porter, where every creation is the sartorial taste of Italian craftsmanship.
The construction of the typical '50s couture is combined with the refined lightness of the silhouette of hummingbirds, symbol of Suriname, his homeland. Thanks to the made in Italy, born heads carved in the cut and shape, but sweet elegance and flowing.
As the dress corolla, in double shot silk duchesse, with black reflections burgundy or black on black intense. Or like a skirt that reveals a crinoline structure, strategically positioned inside to lift the hips. The open weave wool jersey and viscose lights in inlays for lamé dress that follows the lines of the body, while the wool and cashmere double up over coat by the high proportions, ideal for the slender figure with broad shoulders kimono on the front and a ride on the back. A double building now rare, also applied to thin waist corset bustier style. The contemporary twist is given by the miniskirt that has the tactile compact coat weight. Few and well hidden buttons to a purity of unbroken lines. Even the galvanic effect of the zip are gold rose to be discreet.
Heads of sartorial mix the basic pieces and melting is emphasized by the graphic maxi that dissolve in the tissue processing techniques extraordinary: jacquard black and white wool and cotton stretch, intrecciati a fili di lamé, in a geometric decomposition which reinterprets the manner of Winonah the Prince of Wales and the tartan.

WINONAH FW16_VIP_Caterina Eye, Winonah de Jong and Leontien Wenneker
The idea was born from the elegance hummingbird he rests on the leaders and protagonist of embroidery soutage and those flush, illuminati dai beads, by sequins and Jais. The decor is transformed, then, in a pastiche on sweatshirts and t-shirt-white and gray.
For the red carpet is the mermaid dress, with his back, arms and hips in precious hummingbird embroidered organza enriched indefinitely. Or the bustier dress with a sweetheart neckline, adjudged higher to lengthen the figure. The tuxedo-suit, conceived in the silk velvet depths, It is straight ahead and resting softly behind.
The winter palette of burgundy finds the density, blues and emerald, compact shades of camel and black and white loose in texture.

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